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Fray Isidoro de Sevilla, Father of devotion Pastoreña. Parish Pastoreña

born, as indicated by its name cappuccino in Seville on May 9, 1662, being baptized in the Parish St. Stephen on 18 August with the name of Vicente Gregorio Rodriguez Medina Vicentelo Leca. Her parents were related to much of the English nobility, than I ever boasted not mentioned and if on the other hand, call the great venerable Miguel de Manara, founder of the Hospital de la Santa Caridad in Seville.

At nineteen resignation, as the firstborn, the titles of his house and fortune that might apply to become a Capuchin friar. He had by his fierce opposition to this decision, which overcame. Take the holy habit in the convent of the Capuchins in Seville on April 30, 1681 cambiándosele, as was usual in the Order, the name of Vicente Gregorio by Fray Isidoro de Sevilla. During the years of training and study performed brilliantly in the convents of Ecija, Cadiz and Granada, distinguished ever, in the words of those who knew him for his great love for the Blessed Virgin. It seems that his ordination as a priest was the last of the cities mentioned, Granada, and we know it was here where he celebrated his first Mass, on April 2, 1687.

immediately, superiors knew of his zeal for the salvation of souls, engaged in preaching, giving his first sermon in Córdoba. In 1693 is intended to Cadiz, where he was center then an enlightened group of Capuchin missionaries of great stature and were Fathers Francisco de Jerez, Pablo Feliciano de Cadiz and Seville. Here is how our illustrious brother and cut his teeth before passing to Seville the year 1703. This date is a tradition that was praying on the 24th of June in the lower choir of the Church Capuchin Convent in Seville, had the divine inspiration or occurrence as he says, some say, however, was a vision or apparition of the Virgin to him, giving him a mandate "to present to the humble suit Pastora.

The next morning he tells his brother to find him a painter to deal with that shape his idea into a picture. I wanted to be the same logarlo and so worth it as a standard in the public Rosaries, singing, draw as he had learned from their teachers of Cadiz. The painter was chosen Miguel Alonso de Tovar, who captured beautifully the idea and knew plasmas primarily in oil sketch painted bronze that the Father Isidore held until his death, that today, as precious and distinguished relic, saved the Capuchins of Seville and then culled the box to its intended standard. Moved

this representation of Mary as Pastor of Souls, with corrections which ultimately suggested the painter referred to the same Father Isidore, to his standard, in the afternoon of September 8, 1703, for the first time in history of the Catholic Church would be applied to the figure of Mary, with title and pastoral attire in public that Rosario took its inspiration from the parish of San Gil in Seville to the Alameda de Hercules, the form and manner as he had learned of the Father Pablo de Cádiz.

In this month created the first of the brotherhood that the world had been of the Divine Shepherd has, in principle, their sweat in the parish of San Gil, but soon, some problems arose, went into Santa Marina in a chapel here was built expressly for that Brotherhood and property given to it. This was followed, all founded by the same Father Isidore of Seville, a long series of brotherhoods of the Divina Pastora by different peoples of southern Andalusia, the second one, after the Santa Marina, was in Carmona, instituted in 1706, at St. Bartholomew's Church, a congregation or flock and placing an image of the Divina Pastora in an altarpiece of the Church.

then founded another flock in Utrecht in 1707. In Jerez de la Frontera and other towns and cities between which account Cantillana, the Brotherhood has managed only maintained in its original splendor, keeping the spirit of its founder inculcated in its infancy.

was the Father Isidore of Seville, author of many interesting books. More than twenty are known as edited, of which excel those that are related to the devotion to Divine. It would be very suggestive and profound careful reading of them, to deduct from the wild litter culterano concepts and style characteristic of its time, its theological content, which is something, which based its devotion. Highlights its two most famous works: the best Pastora assumed and crowned Pastor .

At 89 years, on November 7, 1750, died in Seville, our venerable father Fray Isidoro de Sevilla. The culmination of this brief biography of you, pick a paragraph from the letter that her guardian, Fray Antonio de Alcalá, communicating with the peculiar style of the time, the brothers religious province of Andalucia this sad event:

"Insignísimo bugle of Marian praise to extol the echoes of which the most sacred Virgin Mary devotion of Our Lady, the first being that in the Marian city, raised the banner to proclaim his praises in the streets, very famous institutor the most tender, sweet and pilgrim title of Mary, gracious Shepherd of Souls, in whose cult and its extension inmensísimamente worked everywhere, and in the pulpit, and in the book entitled the best Pastora assumed, and with devotional novenas, and with fervent promises and songs to praise the streets. Beautiful chapels erected fervent congregations, ornamented with uplifting with approval apostolic constitutions, instituting, countless rosaries that continually give praise to the Divina Pastora. Mary truly all male, and all its objects will go to worship and gifts own, experiencing countless miracles of conversion of souls attracted to the sweet gentle motion of their voices Marian. Achieved in their days to see expanded title as a pilgrim for all the Spains, and the Indies, established missions under the auspices of their beloved sovereign Pastora. "

As a Saint

• Fray Isidoro was humble, even considerably worse and the last of the religious. Detached
  

of honor and dignity of the earth.

prelature chair and offered him and he did not accept

very poor, very old habit wearing a patched coat.

In his cell was a crucifix, the picture of your Shepherdess, table, writing accoutrements and

a hard sleeping platform.

feared as the demon of money, avoiding the touch.

pure, austere and penitent. Fasting almost daily and often bread and water.

Lenient with others respected but whose approach was contrary to yours.

gave his next all I could and sometimes their own livelihood.

seraphic Observatísimo its rules.

in most patient and adversity.

suffered slander when I struggle to spread the cult of the Divine Shepherdess. Delivered

completely to prayer, waiting anxiously Sponsorship happy day because parents claimed Cristobal de Sevilla and Luís de Sextri, witnessed his death, that just as San Ildefonso, put all his faith in the Expectation of virgin festival in which he died, Father Isidore said, "that all his, to die, I had on the day of the Patronage of Mary."

Once dead, the people of Seville, despite the heavy rain that fell, I kept going to honor the remains of the venerable and be a relic. After sharing the flowers that adorned the coffin, it was necessary to break this habit and done bits are distributed among the faithful. Fearful

Capuchin community ensuing disturbance, excess mercy of visitors agreed to bury the body quickly, and almost private.

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Fray Isidoro de Sevilla, Father of devotion Pastoreña. Parish Pastoreña

born, as indicated by its name cappuccino in Seville on May 9, 1662, being baptized in the Parish St. Stephen on 18 August with the name of Vicente Gregorio Rodriguez Medina Vicentelo Leca. Her parents were related to much of the English nobility, than I ever boasted not mentioned and if on the other hand, call the great venerable Miguel de Manara, founder of the Hospital de la Santa Caridad in Seville.

At nineteen resignation, as the firstborn, the titles of his house and fortune that might apply to become a Capuchin friar. He had by his fierce opposition to this decision, which overcame. Take the holy habit in the convent of the Capuchins in Seville on April 30, 1681 cambiándosele, as was usual in the Order, the name of Vicente Gregorio by Fray Isidoro de Sevilla. During the years of training and study performed brilliantly in the convents of Ecija, Cadiz and Granada, distinguished ever, in the words of those who knew him for his great love for the Blessed Virgin. It seems that his ordination as a priest was the last of the cities mentioned, Granada, and we know it was here where he celebrated his first Mass, on April 2, 1687.

immediately, superiors knew of his zeal for the salvation of souls, engaged in preaching, giving his first sermon in Córdoba. In 1693 is intended to Cadiz, where he was center then an enlightened group of Capuchin missionaries of great stature and were Fathers Francisco de Jerez, Pablo Feliciano de Cadiz and Seville. Here is how our illustrious brother and cut his teeth before passing to Seville the year 1703. This date is a tradition that was praying on the 24th of June in the lower choir of the Church Capuchin Convent in Seville, had the divine inspiration or occurrence as he says, some say, however, was a vision or apparition of the Virgin to him, giving him a mandate "to present to the humble suit Pastora.

The next morning he tells his brother to find him a painter to deal with that shape his idea into a picture. I wanted to be the same logarlo and so worth it as a standard in the public Rosaries, singing, draw as he had learned from their teachers of Cadiz. The painter was chosen Miguel Alonso de Tovar, who captured beautifully the idea and knew plasmas primarily in oil sketch painted bronze that the Father Isidore held until his death, that today, as precious and distinguished relic, saved the Capuchins of Seville and then culled the box to its intended standard. Moved

this representation of Mary as Pastor of Souls, with corrections which ultimately suggested the painter referred to the same Father Isidore, to his standard, in the afternoon of September 8, 1703, for the first time in history of the Catholic Church would be applied to the figure of Mary, with title and pastoral attire in public that Rosario took its inspiration from the parish of San Gil in Seville to the Alameda de Hercules, the form and manner as he had learned of the Father Pablo de Cádiz.

In this month created the first of the brotherhood that the world had been of the Divine Shepherd has, in principle, their sweat in the parish of San Gil, but soon, some problems arose, went into Santa Marina in a chapel here was built expressly for that Brotherhood and property given to it. This was followed, all founded by the same Father Isidore of Seville, a long series of brotherhoods of the Divina Pastora by different peoples of southern Andalusia, the second one, after the Santa Marina, was in Carmona, instituted in 1706, at St. Bartholomew's Church, a congregation or flock and placing an image of the Divina Pastora in an altarpiece of the Church.

then founded another flock in Utrecht in 1707. In Jerez de la Frontera and other towns and cities between which account Cantillana, the Brotherhood has managed only maintained in its original splendor, keeping the spirit of its founder inculcated in its infancy.

was the Father Isidore of Seville, author of many interesting books. More than twenty are known as edited, of which excel those that are related to the devotion to Divine. It would be very suggestive and profound careful reading of them, to deduct from the wild litter culterano concepts and style characteristic of its time, its theological content, which is something, which based its devotion. Highlights its two most famous works: the best Pastora assumed and crowned Pastor .

At 89 years, on November 7, 1750, died in Seville, our venerable father Fray Isidoro de Sevilla. The culmination of this brief biography of you, pick a paragraph from the letter that her guardian, Fray Antonio de Alcalá, communicating with the peculiar style of the time, the brothers religious province of Andalucia this sad event:

"Insignísimo bugle of Marian praise to extol the echoes of which the most sacred Virgin Mary devotion of Our Lady, the first being that in the Marian city, raised the banner to proclaim his praises in the streets, very famous institutor the most tender, sweet and pilgrim title of Mary, gracious Shepherd of Souls, in whose cult and its extension inmensísimamente worked everywhere, and in the pulpit, and in the book entitled the best Pastora assumed, and with devotional novenas, and with fervent promises and songs to praise the streets. Beautiful chapels erected fervent congregations, ornamented with uplifting with approval apostolic constitutions, instituting, countless rosaries that continually give praise to the Divina Pastora. Mary truly all male, and all its objects will go to worship and gifts own, experiencing countless miracles of conversion of souls attracted to the sweet gentle motion of their voices Marian. Achieved in their days to see expanded title as a pilgrim for all the Spains, and the Indies, established missions under the auspices of their beloved sovereign Pastora. "

As a Saint

• Fray Isidoro was humble, even considerably worse and the last of the religious. Detached
  

of honor and dignity of the earth.

prelature chair and offered him and he did not accept

very poor, very old habit wearing a patched coat.

In his cell was a crucifix, the picture of your Shepherdess, table, writing accoutrements and

a hard sleeping platform.

feared as the demon of money, avoiding the touch.

pure, austere and penitent. Fasting almost daily and often bread and water.

Lenient with others respected but whose approach was contrary to yours.

gave his next all I could and sometimes their own livelihood.

seraphic Observatísimo its rules.

in most patient and adversity.

suffered slander when I struggle to spread the cult of the Divine Shepherdess. Delivered

completely to prayer, waiting anxiously Sponsorship happy day because parents claimed Cristobal de Sevilla and Luís de Sextri, witnessed his death, that just as San Ildefonso, put all his faith in the Expectation of virgin festival in which he died, Father Isidore said, "that all his, to die, I had on the day of the Patronage of Mary."

Once dead, the people of Seville, despite the heavy rain that fell, I kept going to honor the remains of the venerable and be a relic. After sharing the flowers that adorned the coffin, it was necessary to break this habit and done bits are distributed among the faithful. Fearful

Capuchin community ensuing disturbance, excess mercy of visitors agreed to bury the body quickly, and almost private.

Hallowwen Costumes On Crutches

(III)

The construction of a large temple

In the first half of XVI, as one of many large floods of the Guadalquivir, which passed just to the back of the village, it ruins the old building of the parish and starts to build the new church. We documented that the master mason John Doe Caravallo was bound in 1555 to carry out work to his office on the platform that was built by then. Tilled the ground, had paralyzed the works for some years.
in 1574 by Papal Bull, King Philip II sells a wide dominions of the Church. Among these areas, as a first sale, which was Cantillana was acquired by the wealthy businessman Juan Antonio Vicentelo deer Leca. This means the end of archiepiscopal lordship of the village church and the beginning of secular dominion. Changing Cantillana owners and the foundation of primogeniture of Leca Vicentelo will also work on the new church to change their source of funding and resume the patronage of the deer and the Council of the population.
entered in the seventeenth century, which from 1611 will start on time Cantillana County, thanks to the mercy of Philip III the grandson of the first deer lords of the town. This will be the century which made the definitive works of the present factory except for the sturdy tower to be built a century later.
know that in 1597 Don Juan Vicentelo, known as the spendthrift, son of the first deer and Council of the City of Cantillana, signed an agreement to undertake to pay 10,000 ducats each for the construction of the new cathedral, exempt from the obligation they had to rebuild the archbishop, the dean and cathedral chapter for the fruits decimal carried to the said town. Don Juan Vicentelo, which included the agreement between the privileges of his estate the patronage of the chapel of the temple, gave way to comply with this clause probate of his parents, Don Juan and Dona Brigida Vicentelo, who had arranged the successor hiciese home chapel or church for his funeral and based on her five chaplains.
Thus, the August 18, 1619 resume works by Leonardo Navas as the design architect and master builder protobarroco factory of the Archbishop of Seville, Diego Lopez Bueno.

plant the new church, built between 1619 and 1660 approx. by master Leonardo Navas.

The building has a basilica, consisting of three ships. According to Professor Hernandez Diaz was projected the building of the temple with a single ship, then a criterion for switching do it in three. It is an interesting and spacious building, housing the central nave by a beautiful alfarge the early seventeenth century and the side by a wood beams water. We draw attention to the beauty of that alfarge-up of a notable tracery, consisting of bonds to 0:16, and cones of stalactite, which vividly recalls the famous white carpenter of Diego López de Arenas.
The chapel vaults closed by showing a hardware design flamenco type, notable for its complexity and its smooth curved design and in which the shields of the surnames Vicentelo Leca and Toledo, own the first count, and therefore the house, and legends alluding to his patronage over the chapel. The headwaters of the aisles are covered by barrel vaults with lunettes. The ships are separated by three arches on each side, supported by strong pillars.
In the second half of the seventeenth century works are completed, but still lacks the temple tower and altarpieces altars. According to a pastoral visit by the inspector general of the Archbishop, Don Alonso de Quintanilla Deza, in 1674, the altar was no altar, but some paintings on the wall of which can still be seen some remains behind the current tableau - Image lady size Santa Ana, San Roque and others that line the walls.
These images should be the beautiful icon of Our Lady of Granada, an image of the Virgin and Child carved in wood, gilded and painted, that Professor José Hernández Díaz date in the second quarter of the sixteenth century, attributed to George Fernández German author who is credited as images also known as the Virgen de la Bella de Lepe (Huelva), the patron saint of Gran Canaria Pino, and recently the very Virgen del Rocío de Almonte, so it could be before the image of Lady who presided over this church for several centuries. As evidenced by documents, was cultured in the altarpiece and then from 1850 in a neoclassical altarpiece at the foot of the temple, altar, which was completely destroyed including this picture during the looting of the parish in 1936.
The 1682 report of the inspector returns to reveal the lack, in the chapel and altar, reredos, would not begin to be built until January 7, 1687. On this date you purchased the version with the assembler Bernardo Simón de Pineda. In 1698 a new pastoral visit testifies to the completion of the works of the new altar, beautifully styled new 3100, which cost real-at the expense of the charity of neighbors. Nine years later we are told that the chapel has an altar again, with three bodies, in the latter of which appears a relief to the story of the Assumption of half size, but that was not brown but inside the Tabernacle. In this way remain throughout the eighteenth century as the full golden altarpiece not take place until 1790.

Virgen de la Granada, image of the early sixteenth century German attributed to Jorge Fernandez, who is venerated at the altar of the parish of Cantillana.

know from descriptions of pastoral visit reports, inventories and subsequent pictures, how was this altarpiece that has not come down to us having been destroyed also in the sad events of 1936. It was a large altarpiece, although somewhat smaller than today. Its three bodies were supported by twisted columns decorated with bunches of grapes, which divided into three blocks, with three niches each side, housing these different size images, including one of the oldest, the Santa Ana . In the main street were located the beautiful sanctuary, a manifestation of great size, it is a niche and in the attic, a relief with the mystery of the Assumption of the Virgin which is preserved today. In that niche, it is smaller, by all indications would be placed already mentioned the Virgin of Granada. Picture that, as noted, was moved from this place and taken to a modern altar, situated at the foot of the parish, more particularly where today stands the altar of Santa Teresa, in a relatively recently, in 1850 approximately when placed, in a somewhat forced, in that the altarpiece huequecito other Marian image of which more later.
For these dates from the early eighteenth century, apart from the widespread cult of the Blessed Sacrament and the Souls of Purgatory, the main images and invocations of the parish church, which represented the devotion of the cantillaneros, were of the Lord Holy Christ of Humility and the Hospital of the Conception and the Virgin of the Rosary, with their respective guilds and others such as, San Benito, Santa Ana and La Virgen de Aguas Santas, which still is preserved and revered, as then, the altarpiece the tabernacle.
Soon, very soon, all these devotions in the parish cantillaneros would join a new, unique and charming Marian devotion: the Divina Pastora, which over the years would become the most important and famous, not only of the parish but also the people. The Capuchin friar Isidore of Seville, mentor and pastor of Our Lady of Souls, and their relatives, the Counts of Cantillana benefactors and patrons of the parish of the chapel, as they have the real drivers of worship and devotion to the Divine Shepherdess in Cantillana and specifically in this temple. It preserved and revered, from this distant time, the beautiful and pilgrim image of the Divina Pastora, richly gilded baroque carving and polychrome attributed to Ruiz Gijón and dated in the first quarter of the eighteenth century and early Simpecado. With him was established her rosary and brotherhood founded, according to Jose Alonso Morgado, in 1720 by the same Brother Isidore of Seville.
On the status of our parish from that date to the early nineteenth try, always within the confines of the rigor of historical data and the objectivity fear nothing characterizes the past-or present-in the next chapter.