Onset a rivalry within the framework and Parish cantillanera
The primitive or foundational Simpecado Divina Pastora de Cantillana, the work of the first third of the eighteenth century, which came out in prayers from the parish, before the threat of the epidemic in 1800. We resume the story in the crucial year in the history of our parish was 1800. The situation of the temple at that time was, as has been telling, that of a restored and enhanced years before, which had been added the rugged interior and whose bell tower had the most sumptuous and baroque ever had, with several altarpieces new and completely finished the high altar in size, imagery and gold.
recorded that in 1790 had been completed or closing the top of her golden altarpiece and integrity. Was moved to the manifester and he added three new images for the two niches above: one of San Juan Bautista and the other two forming the group of children Santos Justo y Pastor. He was Pastor and archpriest of Cantillana on that date Justo Pastor Sierra, which justifies the latter incorporated images.
But the new century will bring changes and acquisitions for both images of retablos that will soon be varied physiognomy presented within the parish on that day in early nineteenth century, from which any change in our church not only more but also Cantillana.
As the famous yellow fever epidemic that struck in 1800 the provinces of Cadiz and Seville excited more devotion to the Divine Shepherdess and the audience to Rosario, the only women there, to implore divine protection against such a calamity and as in Cantillana, in contrary to expectations, little noticed the terrible consequences of the epidemic, they found the best way to thank the Virgin that his unquestionable protection, was to make a new rosary pastoreño Simpecado for the execution lasted several years.
would also be established on the year of the epidemic, in which the difficult situation caused a resurgence of popular piety and devotion, a brotherhood and sisterhood to worship San Roque, lawyer of epidemics, whose remarkable effigy venerated from ancient the high altar of the parish. The rules of this new congregation, erected in the temple, were approved in 1801 and established its main festival is held every year on August 16, day of the saint, with a solemn function at the high altar, a procession, and later ninth. Fortunately it has retained the original rulebook interest of the guild, now extinct, which has pastes beautiful engraved in gold leather.
Photo of 1933 the old high altar, the work of the late 17 which was completed and was gilded carved completely in 1790, and was added in 1850 a picture of the Assumption, which was placed in the niche occupied by the Virgin of Granada. It was partially destroyed on 26 July 1936.
was already completed in 1804 the new Simpecado of Pastor mentioned above. Within her rosary, so devoid of rules or statutes written at that time there was a confrontation because of the new Simpecado between the Mistress Elena de la Barrera and Morales and other leaders of Mary Cozart which will result in a real schism in the brotherhood pastoreña and causing a split in it that would soon lead to the creation of another new and similar Marian congregation. The best person to have studied these facts, the history professor and anthropologist Antonio García Benítez, seen in this clash between the then Mistress and Mary Cozart, its antecedents and consequences, the power struggle between the upper class or aristocratic decadence, but even with great influence and position, represented here by Elena de la Barrera and the new wealthy middle class, emerging class of nouveau riche, which belonged to their rival. That was how Mary Cozart and two cohorts leave the string of Pastor and seizing the new Simpecado, which withdrew the painting of the Pastora, founded another congregation or rosary for choosing as the mystery owner of the Assumption, which was already dedicated the parish, its aspiration to be established there, although the higher ecclesiastical authority opposes it and determined to build it at an early stage in the chapel of St. Bartholomew, then in the outskirts of the village.
This is the historical beginning of the bickering and lawsuits from those early years of the nineteenth century to the present day the two sororities hold, the source for in-depth knowledge of which refer to readers the book manuscripts lost and found in the Palace, the said Professor Garcia Benitez, and the article published on this particular journalist José María de la Hera at number 5 (September 2000) of the annual review and Pastora Cantillana.
recorded that in 1790 had been completed or closing the top of her golden altarpiece and integrity. Was moved to the manifester and he added three new images for the two niches above: one of San Juan Bautista and the other two forming the group of children Santos Justo y Pastor. He was Pastor and archpriest of Cantillana on that date Justo Pastor Sierra, which justifies the latter incorporated images.
But the new century will bring changes and acquisitions for both images of retablos that will soon be varied physiognomy presented within the parish on that day in early nineteenth century, from which any change in our church not only more but also Cantillana.
As the famous yellow fever epidemic that struck in 1800 the provinces of Cadiz and Seville excited more devotion to the Divine Shepherdess and the audience to Rosario, the only women there, to implore divine protection against such a calamity and as in Cantillana, in contrary to expectations, little noticed the terrible consequences of the epidemic, they found the best way to thank the Virgin that his unquestionable protection, was to make a new rosary pastoreño Simpecado for the execution lasted several years.
would also be established on the year of the epidemic, in which the difficult situation caused a resurgence of popular piety and devotion, a brotherhood and sisterhood to worship San Roque, lawyer of epidemics, whose remarkable effigy venerated from ancient the high altar of the parish. The rules of this new congregation, erected in the temple, were approved in 1801 and established its main festival is held every year on August 16, day of the saint, with a solemn function at the high altar, a procession, and later ninth. Fortunately it has retained the original rulebook interest of the guild, now extinct, which has pastes beautiful engraved in gold leather.
Photo of 1933 the old high altar, the work of the late 17 which was completed and was gilded carved completely in 1790, and was added in 1850 a picture of the Assumption, which was placed in the niche occupied by the Virgin of Granada. It was partially destroyed on 26 July 1936. was already completed in 1804 the new Simpecado of Pastor mentioned above. Within her rosary, so devoid of rules or statutes written at that time there was a confrontation because of the new Simpecado between the Mistress Elena de la Barrera and Morales and other leaders of Mary Cozart which will result in a real schism in the brotherhood pastoreña and causing a split in it that would soon lead to the creation of another new and similar Marian congregation. The best person to have studied these facts, the history professor and anthropologist Antonio García Benítez, seen in this clash between the then Mistress and Mary Cozart, its antecedents and consequences, the power struggle between the upper class or aristocratic decadence, but even with great influence and position, represented here by Elena de la Barrera and the new wealthy middle class, emerging class of nouveau riche, which belonged to their rival. That was how Mary Cozart and two cohorts leave the string of Pastor and seizing the new Simpecado, which withdrew the painting of the Pastora, founded another congregation or rosary for choosing as the mystery owner of the Assumption, which was already dedicated the parish, its aspiration to be established there, although the higher ecclesiastical authority opposes it and determined to build it at an early stage in the chapel of St. Bartholomew, then in the outskirts of the village.
This is the historical beginning of the bickering and lawsuits from those early years of the nineteenth century to the present day the two sororities hold, the source for in-depth knowledge of which refer to readers the book manuscripts lost and found in the Palace, the said Professor Garcia Benitez, and the article published on this particular journalist José María de la Hera at number 5 (September 2000) of the annual review and Pastora Cantillana.
The altar which occupied the Divina Pastora between 1842 and 1901, the year that opened the dressing room. The altar, known as San Antonio, belonged to the convent of Aguas Santas Villaverde del Rio, and was awarded a fellowship by the ecclesiastical authority pastoreña after the secularization of 1835. Needless to say, the scene of most of these events was the parish church, where he continued canonically established following the adoption of its first rules in April 1805, Rosario de la Pastora, had founded this temple in 1720.
treasured artistic heritage in the parish will be increased in these early dates of the nineteenth century with the acquisition in 1805 of rich new Simpecado of cloth of gold embroidered silver for Rosario de la Divina Pastora, the promise that the protection in the epidemic, which had not been put into effect by having appropriated the other new rosary executed in 1804 - and other items such as silver rods for superb bluffs and guiding cross, also silver, made in 1816 being Mistress pastoreña Antonia Solis and Cisneros. To all this must be added the acquisition also makes the Sisterhood of the pastor in 1842 of a new altarpiece for its image holder, replacing the former in which it was placed during the eighteenth and early nineteenth century. This is the altarpiece of San Antonio brought the Franciscan convent of Our Lady of Holy Waters of Villaverde del Río, closed after the secularization of 1835. Archbishop
governor granted the permission for the fellowship granted to the said altar of San Antonio, but finally at the request of the priest Don José López Ortega also brought two altarpieces, the Cristo de la Buena Muerte and celebrated altarpiece of the convent with the seven paintings depicting the appearance and miracle of Our Lady of Holy Water.
seems that there were three, therefore, retablos incorporated into our parish church, over the years, but know the location in the parish of the latter two.
mid-century, Over 1848, Archpriest being pastor and Antonio Rodríguez Zapata and therefore under their authority, turned to increase the assets of the parish, with the arrival of another graven image, representing the Virgin assumed it was placed in the hollow of the oldest events of the altarpiece, as we pointed out in an earlier chapter. As we said, this image of the Virgin moved to that he was there, that should not be other than the famous carving of Our Lady of the Granada, in those years relocated elsewhere in the temple at the foot specifically, where he built an altar of neo-classical aesthetics designed by the artist Antonio Torres Villaverde del Rio.
Rules of the Confraternity of San Roque, founded the year of the epidemic in the parish. Her image is venerated in a niche of the altar and worship began on 16 August, function and procession, concluding the 25th. In the main altar, next to the old images of Santa Ana, San Roque, San Benito and Santa Catalina and - along with the relief of the Assumption of the Virgin and the new images of San Juan and the saints Justo and Pastor, would be built in the mid-nineteenth century this image of the Assumption, which appearance would not be outside the building, some forty years earlier, the string of ladies of the same title. Professor of History and Art José Hernández Díaz said this picture is the work of the eighteenth century, and as we have heard directly to the local journalist Manuel Naranjo Rios Carmona came from high relief and could have belonged to an altarpiece of the Jesuit church of San Teodomiro that after the expulsion of the Jesuits became the parish seat of the Divine Savior of the city, whose former temple was in ruins. Another version of the origin of this new image, according to the guild itself now gives you worship, is considered appropriate that the church of Regina in Sevilla, we assume refers to the former Dominican convent of that name, extinct with the seizure of Mendizabal, later demolished and was located in the solar enormous market of the Incarnation where today stands the controversial Metrosol Parasol. We stop this chronic
1850. The state of our parish and some events in the second half of the nineteenth century, connected with it, try the following part.
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