is a piece that remains in the family home Macías Barrera, located on the street Dust 52. The present work was conducted by Antonio Barrera Sayago in the late seventies, representing the Divina Pastora as widely observed in a color photograph of 1977. Antonio was born in 1933 the marriage of Antonio Barrera Sánchez and Ana Sayago Bullón. It is a cantillanero who lived in the street
Serafin Sastre number 9 until 1971, when for work he was forced to move to Madrid, where he currently lives. His great love for painting led him to begin academic studies that he soon abandoned by the urgency of a job. Count how proud his family was only 14 years he painted a beautiful Good Shepherd, as well as daring with the subject cantillanero par excellence: the representation of Pastora. Of their artistic qualities we do not doubt his amateur status and has nothing to envy of many professionals. In fact, surprising agility and skill that shows in any context and dominion over the stain color.
With 22 years he painted with great ease the soffit of the arch of the alcove, then renovated to install the new altarpiece. Yours is the only work that retains the brotherhood, since their project to the new canvas of Risco, 1983, was not carried out. In the work we reviewed, the Virgin appears in a landscape, undefined by the power of the stroke, you can see the people far away from the same point of view that paints José María Labrador was inside the dressing room. All this leads us to assert that the artist used the aforementioned photo cantillanero 1977, made in the dressing room while producing the wreath of children dressed in shepherd, during worship May. The picture looks
the necklace known as the swallow and Pastora zalcillos Castilian, the staff that gave Santos Saenz de Tejada and gold headband. All this was captured by Antonio Barrera subtly, with a technique tardoimpresionista, based on powerful strokes that hit the state two-dimensional material rate of the canvas, essentially active character, breathing and alive at the scene shown.
Antonio López Hernández
Serafin Sastre number 9 until 1971, when for work he was forced to move to Madrid, where he currently lives. His great love for painting led him to begin academic studies that he soon abandoned by the urgency of a job. Count how proud his family was only 14 years he painted a beautiful Good Shepherd, as well as daring with the subject cantillanero par excellence: the representation of Pastora. Of their artistic qualities we do not doubt his amateur status and has nothing to envy of many professionals. In fact, surprising agility and skill that shows in any context and dominion over the stain color.
With 22 years he painted with great ease the soffit of the arch of the alcove, then renovated to install the new altarpiece. Yours is the only work that retains the brotherhood, since their project to the new canvas of Risco, 1983, was not carried out. In the work we reviewed, the Virgin appears in a landscape, undefined by the power of the stroke, you can see the people far away from the same point of view that paints José María Labrador was inside the dressing room. All this leads us to assert that the artist used the aforementioned photo cantillanero 1977, made in the dressing room while producing the wreath of children dressed in shepherd, during worship May. The picture looks
the necklace known as the swallow and Pastora zalcillos Castilian, the staff that gave Santos Saenz de Tejada and gold headband. All this was captured by Antonio Barrera subtly, with a technique tardoimpresionista, based on powerful strokes that hit the state two-dimensional material rate of the canvas, essentially active character, breathing and alive at the scene shown.
Antonio López Hernández
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